A new chapter in a novel is something like a new scene in a play; and
when I draw up the curtain this time, reader, you must fancy you see a
room in the George Inn at Millcote, with such large figured papering on
the walls as inn rooms have; such a carpet, such furniture, such
ornaments on the mantelpiece, such prints, including a portrait of George
the Third, and another of the Prince of Wales, and a representation of
the death of Wolfe. All this is visible to you by the light of an oil
lamp hanging from the ceiling, and by that of an excellent fire, near
which I sit in my cloak and bonnet; my muff and umbrella lie on the
table, and I am warming away the numbness and chill contracted by sixteen
hours' exposure to the rawness of an October day: I left Lowton at four
o'clock a.m., and the Millcote town clock is now just striking eight.
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Reader, though I look comfortably accommodated, I am not very tranquil in
my mind. I thought when the coach stopped here there would be some one
to meet me; I looked anxiously round as I descended the wooden steps the
"boots" placed for my convenience, expecting to hear my name pronounced,
and to see some description of carriage waiting to convey me to
Thornfield. Nothing of the sort was visible; and when I asked a waiter
if any one had been to inquire after a Miss Eyre, I was answered in the
negative: so I had no resource but to request to be shown into a private
room: and here I am waiting, while all sorts of doubts and fears are
troubling my thoughts.
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